welcome, ghosts

chloe bella, houston, texas

sea goddess, consistently unsure, extraterrestrial scum

home message me thoughts misc. theme


Men want what they want.

So much of our culture caters to giving men what they want. A high school student invites model Kate Upton to attend his prom, and he’s congratulated for his audacity. A male fan at a Beyoncé concert reaches up to the stage to slap her ass because her ass is there, her ass is magnificent, and he wants to feel it. The science fiction fandom community is once again having a heated discussion, across the Internet, about the ongoing problem of sexual harassment at conventions — countless women are telling all manner of stories about how, without their consent, they are groped, ogled, lured into hotel rooms under false pretenses, physically lifted off the ground, and more.

But men want what they want. We should all lighten up.

It’s hard not to feel humorless as a woman and a feminist, to recognize misogyny in so many forms, some great and some small, and know you’re not imagining things. It’s hard to be told to lighten up because if you lighten up any more, you’re going to float the fuck away. The problem is not that one of these things is happening, it’s that they are all happening, concurrently and constantly.

These are just songs. They are just jokes. They are just movies. It’s just a hug. They’re just breasts. Smile, you’re beautiful. Can’t a man pay you a compliment? In truth, this is all a symptom of a much more virulent cultural sickness — one where women exist to satisfy the whims of men, one where a woman’s worth is consistently diminished or entirely ignored.

What Men Want, America Delivers - from the inimitable Roxane Gay (via jessicavalenti)


The Yoruba theology resides mainly in the believe of a one God, who created everything that exists. From Him came several energies who take care of every detail of the Universe, those are called by the Yoruban believers, Irunmole and Orishas.In the Yoruba system of belief, before you’re born you have already decided what is going to happen with your life, this happens through Ori, which decide what is going to be the main objective in the new life you’re begining. Using the different energies of the Universe, we can achieve easily the needed balance to get to that final objective pre defined by ourselves, meaning living life in balance, with health, happiness and wealth.Once you come to the earthly plane, your body is formed by three elements: Emí (spirit), Orí (soul) and Ará (body). The Emí and the Orí live inside the Ará but separated. Orí has the knowledge and the wisdom of passed lifes, it keeps closed to ones consciousness until death.Emí allows us to our internal dialogue, it stores memories from this encarnation, and it goes aside from our counsciousness when we incorporate the Orisha, then he goes out the Ará.When we die, Emí and Orí becomes one and leave the Ará who will transform in a dead body (Okú). Once they’re only one energy they’ll wait for the fate that will come to them, meaning returning to Aiyé transformed in an spirit (eggun) and wait for the reincarnation (Atúnwá), or if Aragbá Orún (Way to Orún), to get to the Ará Orún state (habitant of the Orún) with the Orishas. These state is only achieved after several reincarnations, until ones Emí has a state pure enough to become an habitant of Orún.Every dweller of Aiyé, according to their behaviour in life can be considered as an omoluabí or an ajogun. Those who broked the laws and had a despicable behaviour during life, become ajogun or dark spirits, among those are:Iku: The Death. King of the Ajogun.Arun: The disease.Ofo: The greed.Epe: The hatress.Ewon: The selfishness.Egba: The loneliness.The omoluabí are those that were rightous in the life, but anyway commited some mistakes, they’re considered kind spirits and can be adored as family ancestors.

White stretch ‘pom-pom’ dresses by Shao-Yen Chen.

The Black Power Mixtape 1967-1975 (2011) dir.Göran Olsson
“This whole, kind of, falling in love with black things for a short period of time is essentially racist. It still is hypothesized on a great sense of separateness and a sense of treating black activities as a kind of curiosity; either benign or threatening, one or the other. When it’s threatening, ‘Oh my god, they’re going to riot or something’. And if it’s benign, ‘Let’s let them paint or draw or sing or dance, whatever they want to do. Until we, the white community, get tired of it’ and that whole structure, is essentially racist.”